The Year of the Rabbit (Or “How to Make A Chinese Dragon Mask to please the finickiest of kids”)

We like to celebrate a lot of holidays at my house. Usually they are actually the ones that pertain to our backgrounds (which for my melting-pot kids is anything from Russia, Spain, England, Ireland, and Poland) but sometimes we turn to outside cultures for our festivities. We’ve hung lights for Diwali and made Dia de los Muertos cookies.  

And we always decorate for Chinese New Years. Except for this year. This year we forgot.

Months later my seven year old remembered Chinese New Year and he began to do what any poor neglected seven year old would do.  He began to hound me to make something with him. He was quite specific. He wanted to make a Chinese dragon costume. A FULL costume. The kind that usually is worn by several people. No can do, I said. But I was willing to work with him to make the mask.
It was a lot of fun and I can’t wait to make some again with my class! Here’s what we did.

MATERIALS:
  • Scissors
  • 1 Milk Jug, washed well and dried.
  • Newspaper, torn into strips. Around 1- 1.5 inches wide, the width of one page. But any size can work.
  • Water
  • Flour
  • Acrylic Paint           
  • 1 Sheet Heavy white construction paper or craft foam
  • A few additional sheets of brightly colored construction paper
HOW TO MAKE YOUR MASK:
Upside-down jug with paper mache strips painted white and ready for color!
Time to paint!

  1. Spend some time on the Internet looking at Chinese Dragon masks. Find some favorites and print them out for inspiration.
  2. Cut the jug in half from the top to the bottom.  We used the side with the handle as a “nose” (although we later decided to cut the nose off!)
  3. Measure the child’s eyes and cut eyeholes and a mouth. Take a good look at a Chinese dragon mask picture to get the right shapes.
  4. Make Paste of 1 parts flour to 2 parts water. There are other recipes involving glue or boiling that you can find online but this is the simplest.
  5. Dip strips of paper into the paste, squeeze off some excess by dragging paper through your fingers but don’t make it dry. Apply it to the jug horizontally. Continue to add more strips, allowing for overlap. Do it until the mask is covered. Use shorter strips where needed such as between the eyes. Let it dry. It will take about a full day to completely dry.
  6. Do the next layer vertically. Alternate layers. We made 3: one horizontal, one vertical and the top one was horizontal again.
  7. Cover your paste and put in the frig between dryings. You can put it in the microwave for a few seconds each time you take it out.
  8. You can start making shapes with your paper. We added horns, big lips and bulgy eyes.
  9. You can do the last stage with white paper to make it more paint-ready but I just painted the last dry stage white before applying colors.
  10. If it needs a little more drying use a hairdryer but at a distance.
  11. Paint!
  12. Once paint is dry you can glue in teeth, add strips of colored paper as a dragon mane, add feathers or whatever you like.


Here’s how my son’s mask turned out! 

Happy Year of the Rabbit!




Blogging with Purpose

Those of you who have been tuning in to read my rants about suburban living, attempts at self-motivation, and the stresses of parenting while trying to find a new direction in life may notice the focus of my blog shifting a little.  What's happened, you ask? Well, I'll tell you.  If you remember my very first posting (and I know you all read my blogs repeatedly and can recite them by heart) I said this would be the Year of Paula. Well, I’m as surprised as anyone to be able to say it really became just that.

Here is what I’ve done within the last  10 months in no particular order:
  • Passed the Art Teaching praxis test.
  • Received my certification to teach art in NJ which now requires me to find gainful employment. No more bon-bon eating for me.
  • Started sketch work on a mural being designed at the request of my town Mayor.
  • Started a home-based art program “Picasso’s Basement” where I have been teaching young children from my newly cleaned (although not quite renovated) basement.
  • Vacuumed the floor. At least twice.
  • Returned to the workforce as a substitute teacher in the local elementary and middle schools (High school schedule was too difficult to work out with my kids. Although that did not stop the automated system from attempting to retain my services as a fill-in for the male Gym Teacher. Those who know me may appropriately guffaw now.)
So here’s what you’ll probably see a lot more of in my future blog posts:
  • Art projects and lessons
  • Photos of cute kids “arting”
  • Photos of my basement
  • Craft ideas
  • My sketches
Here's what I promise you won't ever have to see:

  • Photos of me from behind picking up the mess left behind by cute kids who were busy "arting". Not to say I won't clean up but no photo of me taken from behind can be allowed to be publicly displayed. Photos of me from behind are THE main reason why digital cameras have all been equipped with a DELETE button. I promise you it's true. Check Wikipedia. 
Here’s what I promise to not lose:
  • My sense of humor.
  • My appetite.
  • My mind. Here’s hoping.
STAY POSTED FOR CUTE KID PHOTOS! 
No more checking YouTube for cute cat videos!**
Just check in with me!

**although those darned Scottish Fold kittens sure are adorable....






ANZ Gothic Bank


The ANZ Gothic Bank stands majestically on the corner of Queen Street and Collins Street. It comprises two buildings: the former English, Scottish and Australian (ES&A) Bank on the corner and the former Melbourne Stock Exchange, fronting Collins Street. In 1923 the two buildings were renovated and combined, becoming known simply as the 'Gothic Bank.' Both are superb examples of the gothic revival style, albeit in contrasting ways. The former ES&A Bank is an exercise in graceful restraint, whereas the former Stock Exchange reflects the exuberance of the 1880s’ banking boom. In recent times, they were restored as part of the construction of the ANZ World Headquarters. 

Pic credit: Collector's Marvellous Melbourne
My own pic, 2011 
ES&A Bank 

Built in 1883-87, the former ES&A Bank was designed by architect William Wardell in the gothic revival style. The lancet windows, lofty ceilings and narrow spire emphasise the verticality of the building - a technique often used in the architecture of gothic cathedrals to give the impression of height. Today it may seem unusual to design a secular bank in a style suggestive of a religious building. However in the late nineteenth century, medieval architecture, and particularly the architecture of gothic cathedrals, was experiencing a widespread revival. For many architects, the style's appeal had more to do with its beautiful aesthetics than any religious motive. And one can envisage how the romanticism of the gothic style would have been an attractive outlet in an era of industrialisation and increasing austerity in design. 


Wardell's design for the ES&A Bank, 1883 (David Syme & Co) Pic credit: State Library of Victoria


Today on the ground floor, the majestic banking chamber is still resplendent with iron columns, gilded capitals and beautifully painted ceilings. I wasn’t allowed to take photos inside but the ground floor is accessible to the public as it is a fully-functioning branch of the ANZ bank. If you are in the area, it is definitely worth having a look around this magical room. Meanwhile, the top two floors of the building are permanently closed off. These levels were originally the residence of the bank's general manager, Sir George Verdon. In addition to holding this highly respected position, Verdon was also an enlightened patron, responsible for commissioning the design of the ES&A Gothic Bank. It is a shame the former residence is not open to the public as a museum as it is virtually intact and the last remaining one of its kind in the city. It would provide far better insights into the history of the bank than the current tacky and tired-looking 'ANZ Banking Museum' in the basement (hardly worth a look). 


Photograph of Sir George Verdon, ca. 1860 - 1896. Pic credit: National Library of Australia


Former Melbourne Stock Exchange


The former Stock Exchange was built just after the ES&A Bank in 1888-91. It was designed by famed architect, William Pitt, in the 'free gothic' style. Elaborately ornamented, each level of the facade differs from the others. Gargoyles and stained glass windows abound. A beautiful rose window sits regally at the very top of the facade. Its flamboyant design reflects the exuberance of the 1880s’ banking boom.  However, its construction was hit hard by the depression of the 1890s, resulting in it being built beyond its means. It was sold to the neighbouring ES&A Bank in 1921 due to financial pressure. Two years later the two buildings were renovated and combined into the one ‘Gothic Bank.’  

Former Melbourne Stock Exchange, 2011. Pic credit: my own

The Cathedral Room (below) in the former Stock Exchange building is one of my very favourite spaces in Melbourne. Originally the main trading room of the Stock Exchange, it was once the most important business centre in Australia.  With six columns of Harcourt granite from Bendigo, carved capitals in white freestone and beautiful stained glass windows, it is clear to see how the room attracted its ecclesiastical name.   

Cathedral Room of the Former Melbourne Stock Exchange, 2011 (pic credit: my own)

 

ANZ World Headquarters & Restoration of the Gothic Bank

In 1990, the Gothic Bank was extensively restored by Lovell Chen Architects and Heritage Consultants and now forms part of the ANZ World Headquarters. Permission to build the ANZ skyscraper behind the Gothic Bank was granted on the condition that the heritage buildings be restored. The ANZ skyscraper is linked to the Gothic Bank via a series of glass atriums and colourful, internal chambers. ANZ enjoys the entire complex, including the heritage buildings, as a very unique premises for its world headquarters.  


The ANZ Skyscraper was designed by Peddle Thorp Architects to reflect the Gothic themes of the heritage buildings below. The curtain-walling and zig zag tracery give the impression of gothic-like arched structural supports. Ideally, skyscrapers and other modern buildings would never have been erected in the city centre. They dwarf the surrounding heritage buildings, diminishing the monumental effect these old buildings were designed to have. They also ruin the charming experience that can be had while walking around a city that evokes a sense of history and eternal time. This does not mean Melbourne should not progress and enjoy much-needed vertical office and residential space - just that the modern buildings could have been built in a designated area away from the majority of heritage buildings. Unfortunately that did not happen. With the reality of the situation in mind, I feel that the ANZ skyscraper is a relatively positive building in Melbourne. It does not overwhelm the smaller heritage buildings as much as it could have. This is the intended result of the skyscraper being set back on a podium, so as to be sympathetic to the scale of the surrounding heritage buildings. Credit should also be paid to the first class integration with, and restoration of, the heritage buildings. The ANZ Gothic Bank - a solid example of the new complimenting the old in Melbourne. 


ANZ World Headquarters, 2011. Pic credit: Peddle Thorp Architects
ANZ, The Gothic Bank: ANZ's Commitment to Preservation (pamphlet) [199-?] 
Cash, Damien M, The Gothic Bank of Collins Street (1989)
e-Melbourne website: http://www.emelbourne.net.au/bib/PEM000352.htm 
Lovell Chen Architects & Heritage Consultants website: http://www.lovellchen.com.au/projects.aspx?menu_id=2&item_id=10 
Peddle Thorp Architects website: http://www.pta.com.au/web/?page_id=828
Storey, Rohan, Buildings in Queen and Collins Street, Melbourne and the Hotel Australia site, from Yule House, 309-311 Little Collins Street, Melbourne (1990)
Victoria Heritage database: http://vhd.heritage.vic.gov.au/vhd/heritagevic#detail_places;733 
Victoria Heritage database: http://vhd.heritage.vic.gov.au/#detail_places;791Walking Melbourne website: http://www.walkingmelbourne.com/building324_anz-world-headquarters.html