View from the Top: 101 Collins Street

As part of Melbourne Open House 2010, the boardroom on level 23 of the 101 Collins Street skyscraper was opened up to the public. Completed in 1990, the tower is often cited as the epitome of the 1980s extravagance that saw a handful of opulent, postmodern skyscrapers built in Melbourne. On the day, we were ushered into the lavish boardroom of Macquarie Bank on the twenty-third floor. While the skyscraper has 57 storeys in total, the views offered on level 23 were simply breathtaking!

View from the Boardroom on Level 23

Macquarie Bank Boardroom 

Melbourne Open House visitors enjoying the view

Many of Melbourne's landmarks are visible here: Eureka Tower, Federation Square, Forum Theatre, Arts Centre, Yarra River, Royal Botanic Gardens, and more. 

What an impressive boardroom and beautiful place to work! Do you know of any other office spaces in Melbourne that compare to this?


References:
Melbourne Open House 2010 Booklet
101 Collins Street official website: www.101collins.com.au

Old Treasury Building

I have just received news that Melbourne Open House (MOH) attracted a record 65,000 visitors this year! Despite the long queues at some of the sites (and a leisurely lunch at Cumulus Inc..), we managed to visit a handful of buildings. One of the most interesting sites was the Old Treasury Building at 20 Spring Street, at the very top of Collins Street.


Built in 1857-62, the Old Treasury Building is one of the greatest architectural masterpieces of nineteenth-century Australia, showcasing elements derived from the Italian Renaissance and Mannerist periods. Designed by nineteen-year-old architect, John James Clark, the extravagant plans for the building reflect the sudden and immense wealth generated in Victoria due to the goldrush of the 1850s. Having said that, the building we see today does not entirely match up with Clark's original designs. Austerity measures in the late 1850s resulted in certain adaptations, including the removal of the roof balustrade and attic floor. Nonetheless, it is a truly impressive building that stands today at the very top of Collins Street. In addition to storing gold in its basement during the goldrush, the Old Treasury Building also contained offices for the leaders of the new colony, including the Governor, Treasurer and Premier (Chief Secretary). 

The Barrel-Vaulted Basement (the floor above this is one metre thick!)

Multimedia displays on the goldrush and Victoria during the 1850s-60s

Replica of Gold Bars (No idea why there was a digitalised sign saying 'Merry Xmas'!?)


The most fascinating part of the exhibition was called 'Growing Up in Old Treasury.' In the 1920s, the family of the building's superintendent actually lived in the basement! While the father, Mr Maynard, was responsible for security, maintenance and the cleaning staff, his wife prepared afternoon tea for the Governor during his meetings upstairs. It is incredible to walk around this tiny five-room space which was called home by the couple and their 8 children! 




We only intended to duck into this building briefly but ended up spending quite some time here: there was a lot to see! I believe this to be a permanent exhibition and would encourage anyone interested in this period of Melbourne's history to take a look. Did anybody else manage to make it to MOH? I would love to hear your impressions of this year's event!


References:
Old Treasury Building Website: www.oldtreasurybuilding.org.au 
Melbourne Open House 2010 Event Program 

Grossi Florentino: Interview with Guy Grossi

Grossi Florentino has always enchanted me: there is something quite magical about eating a delicious Italian meal in a room with such a resounding sense of history. It is simply impossible not to become caught up in its romantic, old-world charm. In this post, I will present a brief history of the restaurant and, below, you can read my interview with the very passionate executive chef/owner, Guy Grossi. 


THE HISTORY:

The origins of the Grossi Florentino building date back to 1860 when a row of terrace shops were constructed at the top of Bourke Street for prominent merchant, Benjamin Moses. In 1900, it was established as a wine café at a time when the top end of Bourke Street was notoriously shady. A.H. Spencer (Hill of Content) described the area quite lyrically as a place where "gangsters soft-footed the byways, revolver shots sounded their echoes, worshippers of Bacchus sang or moaned their melodies, making midnight and the a.m eerily mysterious." In 1918 the Wynn family took possession of the building, initially living on the first floor before moving their popular Café Denat from Exhibition Street to the space. Allan Wynn noted that the wine store and café were run more respectably than the surrounds, with "...the customers [becoming] more numerous and behaviour more decorous, though it was never stilted." In 1928, the restaurant was bought by Italian immigrant, Rinaldo Massoni. Renamed as Café Florentino and now with a distinctly Italian character, the restaurant attracted political leaders, socialites and members of the artistic elite. Diners were dazzled by the famous murals painted by students of Mervyn Napier Wallace in the Tuscan Renaissance style. As early as 1929, Melburnians were introduced to espresso coffee with the huge, steaming, espresso machine direct from Italy. The success of the Florentino was such that it even provoked changes to Melbourne's liquor laws, with the Bistro referred to in Hansard!  In the late 20th century, the restaurant changed hands a number of times and, as fortune would have it, ended up with another passionate Italian family, the Grossi's, in 1999. 



INTERVIEW WITH GUY GROSSI:  

Melbourne Curious: Beginning as a wine cafe in 1900, the Florentino has an incredible history. How do you maintain a sense of heritage and tradition as a modern-day restaurant? 
Guy Grossi: To bring character to a place, you have to embrace the past and celebrate its origins as well as play with the present. A sense of heritage is evident throughout Grossi Florentino - in its murals, leadlight windows, the parquetry floors. Our food, concepts, and product is however, very progressive. 


Grossi Florentino is often described as a 'Melbourne Institution.' It is interesting that a restaurant so integral to the history of Melbourne is based on Italian food and culture. What impact do you believe Italian food and wine has had on Melbourne?
Melbourne is a multicultural mecca. This city's colourful migrant history pervades many of this city's attractions and industries - food, fashion, sport are all aspects that showcase our unique variety of customs. For Italians, food is a forte. This is one of the great things Italians have had to offer. It has been embraced by all the community and made into Melbourne's own. 


Do you have any views on preserving the heritage of Melbourne's buildings while still enabling progress in a modern-day city?
Preserving is really important. The city of Melbourne is a living and breathing museum - its  façades tell stories. We need to take pride in protecting our city's stories and preserving this sense of romance. The heritage of a city is its backbone. Some of the most beautiful cities around the world blend the old with the new with integrity. 


Do you have a favourite building or space in the city of Melbourne?
 The top end of Bourke Street for its old-world charms - it buzzes with amazing food, theatre and fashion. 


Is there any particular building or space in the city that you dislike?
No, all of Melbourne is worth exploring. 


What is your favourite thing to do in the city?
I love to spend my morning scouring the Vic Market for fresh, seasonal produce. Then it's time to sit down to enjoy a great coffee before meeting family over a warming dinner - overlooking the city's streets and laneways is amazing at night. 


What is the ideal way to spend a night out in the city?
On a rooftop with friends, family and beautiful wine. 


If you did not live in Melbourne, where in the world would you like to be?
Florence or New York. The former for its love affair with romance and the latter for its wit and class. 


Describe your Melbourne:
Intelligent. Style.



Guy Grossi's passion for Italian food and Melbourne's heritage is palpable. It is exciting to see such care being taken in the preservation of an important Melbourne Institution. As Guy mentions, "some of the most beautiful cities around the world blend the old with the new with integrity." This sums up the precise ethos at Melbourne Curious. It is truly exciting and inspiring to witness this being implemented at Grossi Florentino - where progressive food and business are blended seamlessly with the preservation of history and culture. 


What do you think of Grossi Florentino and Guy's position on Melbourne's heritage?


References:
Many thanks to Guy Grossi and his team for agreeing to my interview. 
Grossi, Guy and McGuiness, Jan, Grossi Florentino: Secrets & Recipes (2003) 
Grossi Florentino Website: http://grossi.com.au/grossi/history.aspx

Photo Credits:
Grossi Florentino 

Melbourne Open House 2010

Do not forget that the fabulous Melbourne Open House (MOH) is on this weekend: 24-25 July. This is an exciting (and free!) event which opens up the buildings of Melbourne to the public. Currently in its third year, the event has grown exponentially: I believe over 50,000 people are expected to visit the 60+ buildings on show this weekend! So if you have ever wanted to explore the city's secret rooftop gardens, see the breathtaking views from 101 Collins Street, learn about the history of the Melbourne Town Hall or discover the latest in sustainable design at CH2, this weekend is not to be missed! 



I hope to see all of you there! For those who can't make it, check back on Melbourne Curious next week for my experience. 

LINK:
(Click this link on your iPhone for the free MOH App)

The Block Arcade: The Hopetoun Tea Rooms

The Hopetoun Tea Rooms is one of the greatest treasures of the Block Arcade. The salon has been part of the Block's history from the very beginning as it opened its doors in 1892. Created by the Victorian Ladies' Work Association, it was named after the Association's founder (and wife of Victoria's first governor), Lady Hopetoun. While the location within the Block Arcade has now changed, it still offers a splendid array of old-fashioned scones, sandwiches and cakes. 


The crowning feature of the Hopetoun Tea Rooms is undoubtedly the beautiful etched mirror on the back wall of the salon. Manufactured in 1891, the mirror adds grandeur and a sense of depth to the petite room. If anyone has any extra information on this beautiful piece of work, I would love to hear it! 


Upon entering the Hopetoun Tea Rooms, diners are immediately ensconced in a sea of resplendent green. While the food and service are passable, I believe it must be the experience of dining in such a beautiful and historical room which keeps this cafe full to the brim with patrons today!


What are your impressions of the Hopetoun Tea Rooms?







References
Buckrich, Judith, Collins: The Story of Australia's Premier Street (2005)
http://www.theblockarcade.com.au 

Photos: My own, 2010

The Block Arcade: Spectacular Ceilings

The Collins Street entrance to the Block Arcade is flanked by two shops featuring spectacular ceilings. When I began this blog, I knew I had to post on these ceilings as they are often missed by busy Melburnians! The first ceiling can be found in the shop now occupied by the women's fashion store, Chelsea. A glimpse of the ceiling can be seen from the outside (photo below). 


In 1907, the Singer Sewing Company commissioned the scenic artist, Phillip Goatcher, to paint this beautiful ceiling mural. The American company had moved into the premises in 1902 and wished to have a stand-out ceiling which would attract customers and represent new technologies of the time. 


As such, references to mathematics, chemistry and medicine are incorporated into the ceiling painting. Goatcher depicts these modern pursuits in classical and idyllic terms, which to me seems reminiscent of the murals of Mervyn Napier Wallace. Not only does the painting seek to establish the Singer Sewing Company as being on a par with significant technologies, it also suggests that technology is harmonious with classical ideals. The pastoral-like scenes takes on added significance as the country played such a major role in Australia's economy and sense of identity, especially back at this time. 


On the day I went to take these images, several customers in the Chelsea store looked up to see what I was photographing. One woman told me that despite shopping in the store for years, she had never noticed the spectacular ceiling! If you are ever walking past the Chelsea shop, be sure to take a glance at the ceiling through the window as you pass. It is a beautiful sight which is too often and too easily missed!



The second interesting ceiling can be found in the Wittner shoe shop, on the left of the Collins Street entrance, and adjacent to Chelsea. A glimpse of this ceiling can also easily be seen by looking through the window as you pass. 


This beautifully elaborate pressed metal ceiling was installed by Kodak over one hundred years ago. Kodak opened its first Melbourne shop at this premises at a time when cameras were first becoming accessible. In the early days, the Kodak slogan was "You press the button, and we’ll do the rest!" 



In both Wittner and Chelsea, painstaking effort has been undertaken so as not to interfere with the historical ceilings. The lighting of both stores is unattached from the ceiling (e.g Wittner uses hanging beams for lighting). I noticed that this gives the shops a slightly make-shift feel which makes them appear less professional than they might hope. The more recent elements appear incongruous with the ceilings, proving that a merging of old and new is more difficult than successful endeavours in this field would reveal! However, I think it is fabulous that the integrity of the ceilings has been maintained in both cases. The next time you are in the Block Arcade, please take a quick look through the window and let me know what you think!


References:
Buckrich, Judith, Collins: The Story of Australia's Premier Street (2005)
Cannon, Michael, The Land Boomers (1966)
http://www.theblockarcade.com.au 

Photos: My own, 2010

The Block Arcade: The Basement

In the previous post, I discussed the history of the Block Arcade from when it was built in 1892-93. But what about beforehand? In fact, the site of the arcade dates back to 1837 when the plot of land was bought by Briscoe & Co - a company dealing with grain, ironmongery and, later on, railways. In 1856 the company constructed a building on the site which it occupied until 1883, after which it relocated to Queen Street. The building was subsequently bought by the George Brothers and became the very first Georges department store in Melbourne! In 1889, there was a spectacular fire which seemed to destroy all of the building apart from its bluestone foundations. The fire was so ferocious that three firefighters lost their lives in the blaze. After the fire, Georges relocated up the hill to its well-known home at 163-168 Collins Street. Three months later, the City Property Company bought the site and commissioned the construction of the Block Arcade that we know and love today. 


Last week I read that the basement had in fact survived the fire and that remnants of the 1856 building still existed down there today. Very curious, I made my way to the Block Arcade and down the stairs towards what is now Downies Coin Auctions. The basement is a secure site and, as such, locked from the public. However, there is a windowed viewing platform which reveals incredible, hand-made brickwork dating back to the Briscoe & Co building of 1856! 


On the day I visited, I was fortunate enough to meet Roger and John of Downies. They happened to share my passion for Melbourne's history and architecture and allowed me to take some photographs of areas not visible from the window. Their insights and postcard pictures were a great source of inspiration! They gave me many ideas for future posts. 



Incredible brickwork from ca. 1856. 


The Block Arcade already has such a long history. So it is fascinating to find evidence of an even longer history which exists (and can still be seen) beneath the building! 

Does anyone know of any other remarkable basements in the city?








References
Buckrich, Judith, Collins: The Story of Australia's Premier Street (2005) 
Cannon, Michael, The Land Boomers (1966)
Block Arcade website: http://www.theblockarcade.com.au  
Heritage Victoria website: http://vhd.heritage.vic.gov.au/places/heritage/730

Photos: My own, 2010 

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The Block Arcade: Introduction



The Block Arcade (280-286 Collins Street) is arguably the most beautiful of Melbourne's historical and architectural treasures. The Collins Street wing of the arcade dates back to 1892 and the Elizabeth Street wing to 1893. The arcade was developed by the infamous financier, Benjamin Fink, of the City Property Company during Melbourne's glorious boom-time. The architect was David C. Askew and the design was inspired by the Galleria Vittorio Emanuele in Milan, Italy.  


At ground level, the Block Arcade showcases beautiful boutiques selling jewellery, watches, shirts, shoes, and chocolate. This has always been a fashionable place to shop, to see and be seen. The levels above are mainly used as offices. 


The Block Arcade features lavish interior decoration, a beautiful glass dome, and an intricate mosaic tiled floor. The mosaic floor was designed by the UK company Craven Dunnell and each tile was imported from Italy. In fact, the Block Arcade still holds in reserve samples of all colours used, except for dark chocolate. The Building and Engineering Journal noted that this was the largest expanse of mosaic to be laid down in Australia at the time. 


Below you can see the Collins Street and Elizabeth Street facades of the Block Arcade respectively. These are extraordinary examples of the Victorian style of Mannerism. Significant features include lower-level rustication and triangular pediments. 

Collins Street Facade

Elizabeth Street Facade


There is no doubt that the Block Arcade enjoys a long and rich history. However, the site of the arcade dates back even further. Click here to read the story. 

References
Buckrich, Judith, Collins: The Story of Australia's Premier Street (2005) 
Cannon, Michael, The Land Boomers (1966)
Block Arcade website: http://www.theblockarcade.com.au  
Heritage Victoria website: http://vhd.heritage.vic.gov.au/places/heritage/730

Photos: My own, 2010